Crazy Week for New-Folk!

As many of you likely know, this is a crazy week for new-folk, English music, and just music in general. It feels like there have been a billion album releases: Laura Marling, St. Vincent, Slow Club, Peggy Sue, Blitzen Trapper, Girls. I’m still working through reviews, but here are a couple I’ve gotten out recently, followed by some news bits and bites.

Slow Club, Paradise (Thank Folk for That)
Slow Club’s debut album, Yeah, So, is indie-pop perfection. It’s just the right mix of sincerity and whimsy; sweet without being cloying, heartfelt without being trite. Rebecca Taylor and Charles Watson captured the topsy-turvy spirit of post-adolescence, from bubbly songs about broken hearts to wistful tunes about new relationships. I figured Slow Club’s follow-up would be more of the same: a little older and wiser, perhaps, but full of their signature folk-pop duets. They’d done so well the first time around, I couldn’t think of any reason to tamper with such a charming formula.

I was dead wrong. One spin of Paradise proved that this sophomore effort is not only different, it’s so much better. Rebecca and Charles have moved far beyond adolescence, switching spunky folk for sophisticated pop. Elements of their earlier sound are certainly present, but even those are more mature: think of songs like Hackney Marsh as I Was Unconscious, It Was a Dream, version 2.0. If Yeah, So was the perfect encapsulation of one phase of life, Paradise shows that same lyrical sensibility in this new one. (Read the rest.)

Dawes, Nothing Is Wrong (For Folk’s Sake)
As the only Californian on the For Folk’s Sake writing roster, I felt it was my duty to grab Nothing Is Wrong by Dawes. Not only are they from Malibu, an oceanside haven near Los Angeles, but they sound more Californian than most other bands from the Golden State. The quartet draws inspiration from the Laurel Canyon music scene (which historically includes such musicians as Joni Mitchell and Crosby, Stills, & Nash), and even named their 2009 debut North Hills. Their sophomore effort still gives a nod to their esteemed SoCal heritage, but moves far beyond homage or imitation – Nothing Is Wrong is truly, and magnificently, their own. (Read the rest.)

Catch Laura Marling performing “The Muse” on New York’s KFUV:

Florence and the Machine have also announced details about their sophomore album, Ceremonials. Here’s the track listing:
‘Only If For The Night’
‘Shake It Out’
‘What The Water Gave Me’
‘Never Let Me Go’
‘Breaking Down’
‘Lover To Lover’
‘Seven Devils’
‘Heartlines’
‘Leave My Body’
‘Spectrum’
‘All This And Heaven Too’
‘What The Water Gave Me’

Peggy Sue have released a video for “Song and Dance” off their new album Acrobats. Though out in the UK as of yesterday, Peggy Sue fans in the US have to wait until October 25th for the Yep Roc release.

Peggy Sue – Song & Dance from Wichita Recordings on Vimeo.

And finally… Summer Camp have released an adorable video for “Better Off Without You”. This is the first video where we actually get a glimpse of Jeremy and Elizabeth, and it’s a charming mix of modern and 80’s footage. And it starts with “Welcome to Condale”, a nod to their fanzine of the same name (and the LA suburb where a lot of their songs take place).

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