Category Archives: Michael Kiwanuka

News: Summer Camp Release New Video, Michael Kiwanuka Teams with Dan Auerbach, Daytrotter Crosses the Pond

I do exist, I swear! I’ve been working–that’s right, working. I’ve been on blog hiatus this past month or so as I’ve started my job at Synthetic, the company behind the Hipstamatic iPhone app. (Guess all those gig photos paid off, eh?) I’m still woefully behind on blog duties, but I’ll be rolling them back in over the next few weeks. After all, I still owe you an Andrew Butler review.

If anyone is interested in doing a guest post, please comment on this post, tweet me, or shoot me an email. I’d love for you to fill readers in on all the new-folk awesomeness that I’ve missed over the past month or so. There’s been a lot!

Not least of which: congratulations to Daughter for being signed to Glassnote (home of Communion friends Mumford & Sons), Michael Kiwanuka for recording with the Black Keys’ Dan Auerbach (track below), and Summer Camp for releasing this super awkward video for “Losing My Mind” (especially loving the cat).

BREAKING NEWS: Daytrotter has just announced that they’re teaming up with Communion and heading to London. From The 405:

We’re so excited to be working with Sean and the Daytrotter team here at Communion. We’re long time admirers of the ethics and integrity that they display, and we feel as champions of new artists and musical discovery it’s a perfect fit for us,” said Communion’s Jones. Added Lovett, “Daytrotter are the godfathers of alternative music in America, and we’re very happy to be entering into this marriage, as Kev said we just love everything they do.”

The first batch of sessions recorded here included 4-song sets by Bombay Bicycle Club (the first to be posted on Thursday), Metronomy, Big Deal, Lucy Rose, Niki & The Dove, Nathaniel Rateliff, Admiral Fallow, Slow Club, Simone Felice, Bear Driver, Duologue, Jesca Hoop, Folks, Kyla La Grange, Boxer Rebellion, Tribes and Channel Chairo. Read more at the 405.

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News Bits and Bobs


New addiction: Andrew Davie’s new outfit Bear’s Den. Check out a live version of song “Pompeii” above.

I know I’m not great about updating this blog, but this is bad–even for me. Thankfully I have an excuse: I was in London! That’s right, London. The homeland. The mother ship. While I was reliving study abroad memories, seeing friends new and old, and hanging out at Borough Market, a lot of cool stuff happened in folk world. Here are just some of the news items I missed.

Communion artist Michael Kiwanuka toured with Adele earlier this year–no small feat! He’s now announced details of forthcoming EP Home Again, which is set to be released January 1st. It’s short and sweet, with just three tracks:

‘Home Again’ (click to hear his performance on Lauren Laverne’s BBC6 Music show)
‘Now I’m Seeing’
‘They Say I’m Doing Just Fine’

Three Blind Wolves have released a free acoustic EP, The Maybe Forest. It features an acoustic version of “Emily Rose” as well as a bunch of tracks I don’t know, and you can get it here. The band has also been in the US (not the West Coast, dammit), and their last date on that tour is tomorrow night at Star Bar in Atlanta.

The fabulous King Charles has released a video for the official recording of “Ivory Road”–and while I think I like the Black Cab Session a bit better, it’s pretty exciting that an LP is on the way.

    Mumford & Sons have two new tracks floating around–including one from the upcoming film adaptation of Wuthering Heights. That track is called “Enemy”, and you can listen below. The other track is “Ghosts That We Knew”, and was debuted in Philadelphia on 104.5 FM.
    And finally, I reviewed Florence and the Machine’s new album Ceremonials on The Owl Mag. Here’s a snippet:

    ‘For an artist like Florence Welch, the second album is tricky. Will it catapult her into the Top 40? Will she maintain even an ounce of indie cred, or be relegated to guilty pleasure playlists? As songs from Lungs continue to haunt movie trailers and car commercials, Florence and the Machine appears to be moving dangerously close to ubiquity. For me, then, sophomore effort Ceremonials begs the question: can I still own my girl crush?

    I realize that’s probably not the question running through your mind, but bear with me. With her crazy red hair, kooky style, and songs about stabbing girls’ eyes out, Flo is endearingly eccentric–a refreshing and indie-appropriate superstar. Though flanked by a self-professed Machine, she and debut album Lungs never felt like products of one. Ceremonials had a lot to live up to: it needed to bring the same quirky grandeur as its predecessor, or my admiration would end up in one of her boys’ coffins.’

    (Read More)